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©LiliyaNamisnyk

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'Candide' by L. Bernstein

Theater an der Wien/Kammeroper

 

"Ilona Revolskayas (Cunegonde) klarem Sopran verschmolz, die insbesondere in den Spitzentönen mit gleichmäßigem Vibrato und erstklassiger Intonation brillierte."

WienerZeitung 2019

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"Entdeckung des Abends: die russische Koloratursopranistin Ilona Revolskaya als Cunegonde."

DiePresse 2019

 

"Cunegunde Ilona Revolskaya zur Seite gesellt, die selbst bei den stets satirisch gefärbten Koloraturen Bernsteins ihre stimmliche Klasse unter Beweis stellt".

Tiroler Tageszeitung 2019

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'Olympia' by J. Offenbach

Theater an der Wien/Kammeroper

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"Ilona Revolskayas Verkörperung der Olympia legt die Vermutung nahe, dass auch ihr Können ausschlaggebend für die Programmierung war. Wie sie in der berühmt-berüchtigten Arie nicht nur höchst puppenhaft wirkt, sondern vor allem herrliche Koloraturen präsentiert, beeindruckt sehr."

DiePresse 2019

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"Besonders glanzvoll hier Ilona Revolskaya (als Olympia), die stimmlich alle anderen überstrahlt und es dazu schafft, die stockend-mechanischen Bewegungen ihres Puppendaseins mit geschmeidigem Gesang, dynamisch ausgeglichen und nuancenreich, zu verbinden."

WienerZeitung 2019

 

'Amadigi di Gaula' by G. F. Händel 

March 2018

"Ilona Revolskaya completed the quartet of singers as a golden-toned Oriana, pure and unaffected at times, but at others expressing more fire and passion as necessary ..."

Classicalsourse.com March 2018

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"As Oriana, Ilona Revolskaya's soprano was beautifully sweet and well shaped, but also possessed a degree of richness and nuance..."

Musicomh.com March 2018​

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'FLIGHT' by J. Dove

March 2018

"Russian soprano Revolskaya – who impressed in last year’s Orpheus in the Underworld – soared above the stave with pinpoint accuracy and fearsome attack. She’s a Zerbinetta in the making and begins a contract at Theater an der Wien next season. Soprano-spotters, keep an eye out for Revolskaya… the sky’s the limit."  

Mark Pullinger for Bachtrack.com​

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"Ilona Revolskaya as a stratospheric coloratura Controller who, more than a mere voice announcing flights, laments her passengers' moral slackness..."

The Guardian March 2018​

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"Ilona Revolskaya hit the stratospheric top notes of the Flight Controller with ease..."

Financial Times March 2018​

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"Above, to a video projection of planes landing, Ilona Revolskaya's Air Traffic  Controller comments in stratospheric soprano on weather conditions..."

Sunday Express March 2018

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'Don Giovanni' by W.A.Mozart

November 2017​

"...It's the woman who come out on the top:Ilona Revolskaya flirty and flighty as Zerlina..."

Evening Standard November 2017

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'Orpheus in the Underworld' by J. Offenbach 

February 2017

"Up on the Mount Olympus, Ilona Revolskaya was the pick of the goddesses, her rich soprano and excellent French diction in Diana's Lament for Acteon making one wish Offenbach had given her a larger role."

Bachtrack.com February 2017

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